Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Die Verschworung der Bataver | Frederick Rihel on Horseback sg | A young Rembrandt | flora (mk33) | St Paul at his Writing-Desk (mk33) |
Related Artists:
Jacques Hupin
French, 000-1680
Jacques Bellange
French Painter, ca.1575-1616,French painter, etcher and draughtsman. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht Derer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement.
Juan Sanchez-Cotan
Spanish 1561-1627 S??nchez Cot??n was born in the town of Orgaz, near Toledo. He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism, the disciple developed further. Cot??n began by painting altar pieces and religious works. For approximately twenty years, he pursued a successful career in Toledo as an artist, patronized by the city??s aristocracy, painting religious scenes, portraits and still lifes. These paintings found a receptive audience among the educated intellectuals of Toledo society. S??nchez Cot??n executed his notable still lifes around the turn of the seventeenth century, before the end of his secular life. An example (seen above) is Quince, Cabbage, Melon and Cucumber (1602, in the San Diego Museum of Art). On August 10, 1603, Juan Sanchez Cotan, then in his forties, closed up his workshop at Toledo to renounce the world and enter the Carthusian monastery Santa Maria de El Paular. He continued his career painting religious works with singular mysticism. In 1612 he was sent to the Granada Charterhouse, he decided to become a monk, and in the following year he entered the Carthusian monastery at Granada as a laybrother. The reasons for this are not clear, though such action was not unusual in Cot??n??s day. Cotan was a prolific religious painter whose work, carried out exclusively for his monastery, reached its peak about 1617 in the cycle of eight great narrative paintings which he painted for the cloister of the Granada Monastery. These depict the foundation of the order of St. Bruno, and the prosecution of the monks in England by the Protestants. Although the painter??s religious works have an archaic air, they also reveal a keen interest in the treatment of light and volumes, and in some respect are comparable with certain works by the Italian Luca Cambiaso whom Cotan knew at the Escorial. While Cotan's religious works are unexceptional, as a still-life painter he ranks with the great names of European painting. In spite of his retreat from the world, Cotan??s influence remained strong. His concern with the relationships among objects and with achieving the illusion of reality through the use of light and shadow was a major influence on the work of later Spanish painters such as Juan van der Hamen, Felipe Ramirez, the brothers Vincenzo and Bartolomeo Carducci and, notably, Francisco de Zurbaran. Sanchez Cotan ended his days universally loved and regarded as a saint. He died in 1627 in Granada.